Ranée

Favorite(s)

I’m a lifelong lover of books and music, having been massively influenced by both since I was a child, so this post contains a list of my seven favorite books and—as an homage to one of them—my top five all-time favorite recording artists.

Favorite Books

Listed in chronological order according to when I read them.

The Complete Tales and Poems of Edgar Allan Poe

Edgar Allan Poe (whom my father claims is some distant family relative of ours) is one of the first authors with whom I became enamored; he is also responsible for getting me hooked on supernatural literature. As a teenager, I devoured his stories of horror: “Ligeia,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Tell-Tale Heart,” “The Cask of Amontillado,” and others. I also repeatedly read a number of Poe’s grimmer poems. What I admired most about his work was the artful way he generated suspense, the shocking turns he incorporated, and his lyrical style. Poe, to me, wasn’t just a master of the horrific but also rhythm, rhyme, and repetition of sounds (both assonance and alliteration). He will forever occupy a significant portion of my rather morbid heart.

High Fidelity by Nick Hornby

This book about a pathetic record store owner and self-described arsehole obsessed with making top-five lists, penned by a music-loving writer and critic has been among my all-time faves since I first read it back in college. Hornby’s debut novel reads like an Elvis Costello song (note: the title is an Elvis Costello song and Mr. Declan McManus also happens to be one of my favorite recording artists). I’ve never been able to find out whether or not Hornby purposely chose the title because of the song or whether, just being the music writer and lover that he is, he decided (like Costello) that the double meaning of the term high fidelity was incredibly appropriate (and clever) for his debut novel. Maybe it was a little of both. If I ever get the chance to interview or chat with Hornby, I’ll be sure to ask him. What makes this book one of my favorites, however, isn’t just its references to music or the fact that it was obviously written by a music lover who’d seen more than his share of know-it-all music snobs, but because Hornby is so frank about the awkwardness and absurdity so often inherent in relationships, his flawed and quirky characters are entirely believable, and his chronicle of Rob’s ridiculous romantic entanglements is really funny.

The Mists of Avalon by Marion Zimmer Bradley

I treasure this tale of magic and the sacred feminine based on the Arthurian legends. Morgaine is without a doubt one of my favorite literary heroines, right alongside Lisbeth Salander (two very different but equally strong women, in my view). When I read this book, Avalon also represented something that I’d sorely lacked for most of my youth—a community of genuinely supportive women. This beautifully woven tale gave me hope that I’d eventually find my own place within one.

‘Salem’s Lot by Stephen King

I know I probably shouldn’t list this book among my favorites without also including Bram Stoker’s Dracula on that list, but, well, King’s updated version of the Dracula story is frankly scarier than the original. In fact, it’s the scariest book I’ve ever read. I like my vampires creepy and terrifying and, like his predecessor and obvious influence, Count Orlok, the original film version of Kurt Barlow certainly fits the criteria.

The World’s Wife by Carol Ann Duffy

When I was introduced to Duffy’s poems in an Irish lit class in graduate school, it was love at first read. By turns, bawdy, brash, and beautiful, Duffy’s style is one that I admire above many others. Her words, imagery, and subject matter felt so raw and real to me, and when I read The World’s Wife, a collection of poems about famous literary, mythical, and historical women (reimagined and written from their points of view), I identified with so many of them. Duffy herself is one of my favorite writers.

Mama Day by Gloria Naylor

Mama Day is another book I discovered in grad school, this one thanks to my advisor (and one of my real-life heroes) Teresa Washington. I suppose that aside from African American lit, this book also falls into the genre of “magical realism.” It’s also something of a love story. Those elements of the book along with its incorporation of the sacred feminine are certainly partly why I love it so. Another reason is Naylor’s brilliant storytelling and creative narrative choices. Parts of the story are told from the points of view of two of the main characters, Coco and George, and written in first person as they talk to/about one other and their relationship. Some elements are a beautiful lesson in history and culture. Other sections are a third-person narrative focusing on the title character of Miranda “Mama” Day and other residents of Willow Springs, which, like its most famous denizen, Sapphira Wade, belongs to no one but itself and its people. This is one book that I will never tire of re-reading because of its richness, and I laugh and cry every time I enter the world of Willow Springs.

Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés

This book is on my list because of how much it has meant in terms of my personal and spiritual growth. Reading this book awakened something that had been buried and brutalized within my soul, and it inspired me to reclaim and nurture that part of myself—to heal so that I might become whole.

Favorite Recording Artists

My favorite musicians

In true High Fidelity fashion, here are my desert-island, all-time, top favorite recording artists, in alphabetical order:

  • Tori Amos
  • David Bowie
  • Elvis Costello
  • Queen
  • Lou Reed (and The Velvet Underground sans Nico)

Satisfyingly soulful and strange, Tori Amos was a big part of my formative years and although Sarah McLachlan, U2, and Garbage were just as much so, it’s Tori’s music that’s stood the test of time for me. Most of the music that I loved by those other singers and bands were their earlier songs and records, whereas I’d rank albums like 2002’s Scarlet’s Walk and 2017’s Native Invader right up there alongside Tori’s first three. Quite a number of her songs have inspired post titles on this blog.

Elvis Costello, aka Declan McManus, aka Napoleon Dynamite, is the only one of my top five I’ve actually seen in concert (I didn’t really get out much when I was younger, OK?). He’s a masterful, witty lyricist and wordsmith, sharp with a turn of phrase, genius with his use of the double entendre, and fantastic on guitar. I’m a bigger fan of his earlier, grittier work on albums like My Aim Is True, This Year’s Model, and Armed Forces, but I’m also impressed with his ability to effortlessly shift between music genres, particularly stuff that I wouldn’t have thought a fit for him (see albums like Secret, Profane, & Sugarcane and his work with Burt Bacharach). I appreciate genre-shattering musicians just as much as I do authors.

I suppose the other three on my list are sort of a testament to my love affair with glam rock, which began in earnest when I saw Todd Haynes’ film Velvet Goldmine, but I don’t just love those guys because of their glam records and personae. I love them because they’re weird and wonderful.

Lou Reed was the primary songwriter behind The Velvet Underground, one of the most influential bands in modern rock. To me, he was also its heart. I think one of the reasons I so love Carol Ann Duffy’s poetry is that it reminds me of Lou Reed’s songwriting. He was a poet too, a fellow freak and survivor, and a damn fine guitar player.

Speaking of freaks . . . yes, I loved the oft alien, always androgynous David Bowie for his weirdness too. But, like my other favorites, I also adored him for his musical talents, especially the risks that he took musically and his production work.

Bowie certainly had style and flair but so did Freddie Mercury, who is one of the main reasons that Queen makes my list. I called him “The Voice” because I was simply in awe of that man’s vocal range and talent. To me, he is far and away the most amazing vocalist in all of rock; no one else even comes close. I also couldn’t help but dig the fact that he was often so in-your-face and over-the-top when performing. Freddie isn’t the only reason I love Queen, though. I’m also a huge fan of Brian May’s guitar playing and the band was brilliant in the way that they melded genres and pulled off stuff that I’m sure the people working behind the scenes with them thought would never work.

Hope you’ve enjoyed getting to know a little more about me. I know you have your own favorite books, writers, and music-makers and I’d love for you to share them in the comments.

On Writing, Ranée

Here It Goes Again

In a previous post, I wrote about how I’d made a complete mess of the story that I was working on with my disorganized, haphazard approach to writing. Well, as it happens, I wasn’t just plagued by my chaotic storytelling; in RPG parlance, I not only got too caught up in creating my characters’ backstory but also got distracted by a silly side quest.

It’s taken me over a year and a half to realize what this story is actually about—not what it started out as or what I intended for it to be—but what it truly is. It didn’t really hit me until I wrote my book pitch for Paper Cuts a couple of weeks ago. When I did that, I realized that the book I was pitching wasn’t the book I was writing. So what do you do when you find yourself faced with such a realization? Well, after cursing yourself (a lot) and vacillating between pressing on and giving up, first you reevaluate and then you take action—reboot.

During meditation yesterday, I asked my guides if I should continue with this book and they said yes. I’m not gonna lie; I wasn’t fully on board with that right away. So, I spent much of yesterday evening reevaluating this project, including talking through my dilemma with my husband. He asked me what I liked about what I’d written so far and that helped me to get to the heart of the matter, to see where the real story lay. If you find yourself lost, then I highly recommend you take a moment to analyze what you’ve got and, if necessary, ask a trusted soul to help you with this process. Most likely, there’s something that’s worth salvaging, but, often, we are too close to our work to see it objectively. Once you determine what those salvageable pieces are, do some further examination to see how they do or could fit together. That, fellow ink-slingers, is your real story.

The story that you’re actually writing may not be the one that you set out to tell. If you find that’s the case, then the next step is to decide whether or not you’re OK with that. For me, realizing that the story I thought I was writing wasn’t the one that I wanted to write was like finally breaking the surface, lungs burning, and gulping in fresh air; I’d been under water for far too long. I feel a huge sense of relief just accepting that the story I told myself I wanted to write wasn’t what I was really interested in writing and I’ve decided to continue with it. If, however, you’re not OK with a realization like that, then it’s probably best that you put your project aside. DO NOT TRASH IT! While present you might be 100% positive that you never want look at it again let alone try to fix it, a future you may feel quite differently some day and could approach it with a fresh perspective, so, trust me, just put those pages somewhere out of sight for now and move on.

If you choose what I feel could be the harder path and decide to press on, well, then you’ve got some work to do in terms of regrouping. You can keep everything you’ve written so far together in the same place (the good, the bad, and the ugly) and just continue on with the new aim in mind or you can start fresh with the pieces you’ve decided are the keepers, tucking the others away to keep for future use. In the name of clearing the chaos, I’ve decided to do the latter. I’m also beginning some focused journaling to help me gain further clarity (huge thanks to one of my best girlfriends for this timely gift!). Some ways to get reorganized include creating a new outline and/or mind map with the true story in mind, engaging in some focused freewriting to flesh out plot points, and taking a little break before diving into your project again.

In addition to regrouping, I’m giving myself a deadline. My goal is to spend the remainder of winter working on this draft and, if come spring, I find that figuring out the real story hasn’t made any difference and I’m still struggling, I will move on. Deadlines are always a good idea.

In any case, if you find yourself in a similar position, I hope that you won’t despair (at least, not for too long), but that you’ll carry on and take another stab at it.

On Writing, Ranée

One

Say what?! My LLC is a year old!

One year ago today, I filed the paperwork to establish RE:Written as an LLC. I’m still a bit awed that it’s already been a whole year, but that’s mostly because things didn’t really get off the ground until about five or six months in. Back in February of last year, I learned that the company I was working for had decided to outsource production work on their journals, which meant my job would no longer exist come December. I wasn’t bitter or frightened; rather, my initial reaction was one of excitement. Something awesome is about to happen, I remember thinking. At the time, I had no more than an inkling that perhaps it might be time to strike out on my own, to do something for me, something that I was really passionate about, but it took some more thought and no small amount of inspiration for that notion to become the fully formed idea of creating my own company. Starting a new business at the beginning of a pandemic is probably one of the boldest (and reckless) things I’ve ever done, but I don’t regret it. Navigating this new phase of my life has certainly been challenging over the past year. The past few months have been particularly rough as my severance pay ran out and the job applications far outnumbered the interview requests, but each time that I’ve worked with a client and heard their expressions of gratitude, I’ve remembered exactly why I started RE:Written in the first place and it’s only made my love of my work that much stronger. I’ve been extremely fortunate to have wonderful, encouraging people in my life who’ve been willing to help me with advice, referrals, content creation, love, and support. They’ve kept me going and I am incredibly grateful for that. I thank all of them, my clients, and all of you who follow or read this page or my social media for being a part of the journey thus far. I look ahead to what Year Two will bring with excitement and anticipation because I know it’s going to be amazing!

On Writing, Ranée

This Woman’s Work

Hey there! Thought I’d give you a little glimpse into my work for this Thursday. The relaunch of Tazeric is a little over two months away (June 1!), so I’m hard at work on John’s revisions this week. I’m also still writing my own novel (I’m deep into the shit-shoveling phase on that) and developing a workshop on dialogue.

I’m armed with a full water bottle, a cup of tea, candles, my notebook, and an Art of Ophelia pen (tools of this writer’s trade). Today’s also the first day in a very long while that I’m actually listening to records while working. Check out today’s rainy day soundtrack in the photos below.