Ranée

Favorite(s)

I’m a lifelong lover of books and music, having been massively influenced by both since I was a child, so this post contains a list of my seven favorite books and—as an homage to one of them—my top five all-time favorite recording artists.

Favorite Books

Listed in chronological order according to when I read them.

The Complete Tales and Poems of Edgar Allan Poe

Edgar Allan Poe (whom my father claims is some distant family relative of ours) is one of the first authors with whom I became enamored; he is also responsible for getting me hooked on supernatural literature. As a teenager, I devoured his stories of horror: “Ligeia,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Tell-Tale Heart,” “The Cask of Amontillado,” and others. I also repeatedly read a number of Poe’s grimmer poems. What I admired most about his work was the artful way he generated suspense, the shocking turns he incorporated, and his lyrical style. Poe, to me, wasn’t just a master of the horrific but also rhythm, rhyme, and repetition of sounds (both assonance and alliteration). He will forever occupy a significant portion of my rather morbid heart.

High Fidelity by Nick Hornby

This book about a pathetic record store owner and self-described arsehole obsessed with making top-five lists, penned by a music-loving writer and critic has been among my all-time faves since I first read it back in college. Hornby’s debut novel reads like an Elvis Costello song (note: the title is an Elvis Costello song and Mr. Declan McManus also happens to be one of my favorite recording artists). I’ve never been able to find out whether or not Hornby purposely chose the title because of the song or whether, just being the music writer and lover that he is, he decided (like Costello) that the double meaning of the term high fidelity was incredibly appropriate (and clever) for his debut novel. Maybe it was a little of both. If I ever get the chance to interview or chat with Hornby, I’ll be sure to ask him. What makes this book one of my favorites, however, isn’t just its references to music or the fact that it was obviously written by a music lover who’d seen more than his share of know-it-all music snobs, but because Hornby is so frank about the awkwardness and absurdity so often inherent in relationships, his flawed and quirky characters are entirely believable, and his chronicle of Rob’s ridiculous romantic entanglements is really funny.

The Mists of Avalon by Marion Zimmer Bradley

I treasure this tale of magic and the sacred feminine based on the Arthurian legends. Morgaine is without a doubt one of my favorite literary heroines, right alongside Lisbeth Salander (two very different but equally strong women, in my view). When I read this book, Avalon also represented something that I’d sorely lacked for most of my youth—a community of genuinely supportive women. This beautifully woven tale gave me hope that I’d eventually find my own place within one.

‘Salem’s Lot by Stephen King

I know I probably shouldn’t list this book among my favorites without also including Bram Stoker’s Dracula on that list, but, well, King’s updated version of the Dracula story is frankly scarier than the original. In fact, it’s the scariest book I’ve ever read. I like my vampires creepy and terrifying and, like his predecessor and obvious influence, Count Orlok, the original film version of Kurt Barlow certainly fits the criteria.

The World’s Wife by Carol Ann Duffy

When I was introduced to Duffy’s poems in an Irish lit class in graduate school, it was love at first read. By turns, bawdy, brash, and beautiful, Duffy’s style is one that I admire above many others. Her words, imagery, and subject matter felt so raw and real to me, and when I read The World’s Wife, a collection of poems about famous literary, mythical, and historical women (reimagined and written from their points of view), I identified with so many of them. Duffy herself is one of my favorite writers.

Mama Day by Gloria Naylor

Mama Day is another book I discovered in grad school, this one thanks to my advisor (and one of my real-life heroes) Teresa Washington. I suppose that aside from African American lit, this book also falls into the genre of “magical realism.” It’s also something of a love story. Those elements of the book along with its incorporation of the sacred feminine are certainly partly why I love it so. Another reason is Naylor’s brilliant storytelling and creative narrative choices. Parts of the story are told from the points of view of two of the main characters, Coco and George, and written in first person as they talk to/about one other and their relationship. Some elements are a beautiful lesson in history and culture. Other sections are a third-person narrative focusing on the title character of Miranda “Mama” Day and other residents of Willow Springs, which, like its most famous denizen, Sapphira Wade, belongs to no one but itself and its people. This is one book that I will never tire of re-reading because of its richness, and I laugh and cry every time I enter the world of Willow Springs.

Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés

This book is on my list because of how much it has meant in terms of my personal and spiritual growth. Reading this book awakened something that had been buried and brutalized within my soul, and it inspired me to reclaim and nurture that part of myself—to heal so that I might become whole.

Favorite Recording Artists

My favorite musicians

In true High Fidelity fashion, here are my desert-island, all-time, top favorite recording artists, in alphabetical order:

  • Tori Amos
  • David Bowie
  • Elvis Costello
  • Queen
  • Lou Reed (and The Velvet Underground sans Nico)

Satisfyingly soulful and strange, Tori Amos was a big part of my formative years and although Sarah McLachlan, U2, and Garbage were just as much so, it’s Tori’s music that’s stood the test of time for me. Most of the music that I loved by those other singers and bands were their earlier songs and records, whereas I’d rank albums like 2002’s Scarlet’s Walk and 2017’s Native Invader right up there alongside Tori’s first three. Quite a number of her songs have inspired post titles on this blog.

Elvis Costello, aka Declan McManus, aka Napoleon Dynamite, is the only one of my top five I’ve actually seen in concert (I didn’t really get out much when I was younger, OK?). He’s a masterful, witty lyricist and wordsmith, sharp with a turn of phrase, genius with his use of the double entendre, and fantastic on guitar. I’m a bigger fan of his earlier, grittier work on albums like My Aim Is True, This Year’s Model, and Armed Forces, but I’m also impressed with his ability to effortlessly shift between music genres, particularly stuff that I wouldn’t have thought a fit for him (see albums like Secret, Profane, & Sugarcane and his work with Burt Bacharach). I appreciate genre-shattering musicians just as much as I do authors.

I suppose the other three on my list are sort of a testament to my love affair with glam rock, which began in earnest when I saw Todd Haynes’ film Velvet Goldmine, but I don’t just love those guys because of their glam records and personae. I love them because they’re weird and wonderful.

Lou Reed was the primary songwriter behind The Velvet Underground, one of the most influential bands in modern rock. To me, he was also its heart. I think one of the reasons I so love Carol Ann Duffy’s poetry is that it reminds me of Lou Reed’s songwriting. He was a poet too, a fellow freak and survivor, and a damn fine guitar player.

Speaking of freaks . . . yes, I loved the oft alien, always androgynous David Bowie for his weirdness too. But, like my other favorites, I also adored him for his musical talents, especially the risks that he took musically and his production work.

Bowie certainly had style and flair but so did Freddie Mercury, who is one of the main reasons that Queen makes my list. I called him “The Voice” because I was simply in awe of that man’s vocal range and talent. To me, he is far and away the most amazing vocalist in all of rock; no one else even comes close. I also couldn’t help but dig the fact that he was often so in-your-face and over-the-top when performing. Freddie isn’t the only reason I love Queen, though. I’m also a huge fan of Brian May’s guitar playing and the band was brilliant in the way that they melded genres and pulled off stuff that I’m sure the people working behind the scenes with them thought would never work.

Hope you’ve enjoyed getting to know a little more about me. I know you have your own favorite books, writers, and music-makers and I’d love for you to share them in the comments.

On Writing, Ranée

Disorder

Creativity requires a certain amount of disorder—a good kind of chaos, if you will, and I fully admit to being a bit Scarlet-Witchy (OK, more than a bit). However, in this post, I’m talking about the bad kind of disorder, the sort that comes from a lack of clarity and has nothing to do with creative spirit.

I’ve spent some time this week migrating content that I’ve written for my current story from my notebooks into Scrivener and, in the process, I’ve come to an important realization—I should not be writing when I’m depressed or stressed out unless I’m just writing about how I’m feeling. I haven’t got much of substance to show for the months when I’ve been trying to write while feeling bad; the little that I do have is a jumbled mess. All of the more organized threads that flow into actual chapters were written prior to depression and anxiety setting in. It is exceptionally difficult for me to maintain a decent level of concentration and to organize myself when I am depressed or anxious; that’s always been true. The difference now is, I’m aware of it. I know now that this was the real reason I could never finish a book let alone really get one started—my emotional struggles caused me to lose focus to the point that I just couldn’t get it together.

The other lesson I’ve learned is that I need to follow my own advice and when nothing good is coming or I’m just not feeling like working on a particular project, then I need to write something else, whether that something is journaling, writing a blog post, or working on another creative project. With regard to the latter, I’ve been forcing myself to stick with one creative writing project at a time out of fear I’ll never finish anything if I don’t make myself plow through, but I’ve realized that, by doing this, I’ve been hampering my own creativity (and as I noted above, the real problem for all those years was depression, not my tendency toward chaos-witchiness). I hate doing the same thing all the time; I get extremely bored and end up feeling constrained. I certainly need some structure to keep me on track, but instead of forcing myself to push on when my heart’s not really in it, I should instead embrace my own dynamic nature, be flexible, and work on whatever project I feel like on a given day (employ an organized chaos, so to speak). My hope is that by changing things up, I’ll avoid stagnating and will instead keep the embers of my creative fire burning.

Along the same lines, while my story ideas tend to be nonlinear, with scenes/flashes coming at random, I need to write in chapters. If I have a scene in my head, then I will write it but I also need to write what goes around or with it, connecting the dots. This will save me having to go back and fill in loads of blanks later and will help to keep me organized. I mean, even when Wanda was completely disrupting people’s lives, she still provided a substantial amount of structure. The least I can do is turn random scenes into full-fledged chapters (the fact that I have already done it is proof I can do it again).

So this will be my new process once I’ve moved over the stuff I’ve got in my notebooks. Maybe I’ll even consider going back to writing on the computer. Ha! Sorry, but computer writing for creative projects is reserved for revising . . . unless I find a good electronic approximation for a pen and notebook that can be transferred straight into the computer and integrate with Scrivener, but that’s another topic for another day.

On Writing

Zenith Garinian

I’m excited to share more client news! The revised version of Tazeric: Sword of Light and Dark, the first book in the Zenith Garinian series by J.W. Berwyn, which was edited by yours truly, is now available from Amazon. Click the link on the title above or the cover image to get your copy. Follow the author for updates about future books in this new exciting fantasy series.

On Writing

The Last Guardian

I’m delighted to announce that my client É.M. Bossé has published her first book, The Last Guardian, a tale of magic and adventure, on Amazon. It’s available as an ebook and in paperback form. I hope you’ll check it out (click on the title above for the direct link)!

On Writing

Tazeric: Sword of Light and Dark

I’m excited to announce the forthcoming re-release of my client, J.W. Berwyn‘s, book Tazeric: Sword of Light and Dark on June 1, 2021. I’ve been working with John for the past few months, helping him to revise and improve his first novel, and it’s been an awesome experience for me both as a coach and as a reader. John is a talented writer who has crafted an intriguing tale of magic, love, and adventure centering on a small band of heroic women on the quest to find a sword of power. I can’t wait to have a copy of the finished, revamped story and hope you’ll check it out once it’s available. Follow @berwyn_j on Twitter or jwberwyn.net to keep up with publication news. Cover design by Fay Lane.