On Writing, Ranée


Creativity requires a certain amount of disorder—a good kind of chaos, if you will, and I fully admit to being a bit Scarlet-Witchy (OK, more than a bit). However, in this post, I’m talking about the bad kind of disorder, the sort that comes from a lack of clarity and has nothing to do with creative spirit.

I’ve spent some time this week migrating content that I’ve written for my current story from my notebooks into Scrivener and, in the process, I’ve come to an important realization—I should not be writing when I’m depressed or stressed out unless I’m just writing about how I’m feeling. I haven’t got much of substance to show for the months when I’ve been trying to write while feeling bad; the little that I do have is a jumbled mess. All of the more organized threads that flow into actual chapters were written prior to depression and anxiety setting in. It is exceptionally difficult for me to maintain a decent level of concentration and to organize myself when I am depressed or anxious; that’s always been true. The difference now is, I’m aware of it. I know now that this was the real reason I could never finish a book let alone really get one started—my emotional struggles caused me to lose focus to the point that I just couldn’t get it together.

The other lesson I’ve learned is that I need to follow my own advice and when nothing good is coming or I’m just not feeling like working on a particular project, then I need to write something else, whether that something is journaling, writing a blog post, or working on another creative project. With regard to the latter, I’ve been forcing myself to stick with one creative writing project at a time out of fear I’ll never finish anything if I don’t make myself plow through, but I’ve realized that, by doing this, I’ve been hampering my own creativity (and as I noted above, the real problem for all those years was depression, not my tendency toward chaos-witchiness). I hate doing the same thing all the time; I get extremely bored and end up feeling constrained. I certainly need some structure to keep me on track, but instead of forcing myself to push on when my heart’s not really in it, I should instead embrace my own dynamic nature, be flexible, and work on whatever project I feel like on a given day (employ an organized chaos, so to speak). My hope is that by changing things up, I’ll avoid stagnating and will instead keep the embers of my creative fire burning.

Along the same lines, while my story ideas tend to be nonlinear, with scenes/flashes coming at random, I need to write in chapters. If I have a scene in my head, then I will write it but I also need to write what goes around or with it, connecting the dots. This will save me having to go back and fill in loads of blanks later and will help to keep me organized. I mean, even when Wanda was completely disrupting people’s lives, she still provided a substantial amount of structure. The least I can do is turn random scenes into full-fledged chapters (the fact that I have already done it is proof I can do it again).

So this will be my new process once I’ve moved over the stuff I’ve got in my notebooks. Maybe I’ll even consider going back to writing on the computer. Ha! Sorry, but computer writing for creative projects is reserved for revising . . . unless I find a good electronic approximation for a pen and notebook that can be transferred straight into the computer and integrate with Scrivener, but that’s another topic for another day.

On Writing, Writing Prompts

Writing Prompt 37

Take an existing myth, fairy tale, or fable and rewrite it with a different perspective or a new twist. Modernize it, drop it into a new setting, change the genders of the main characters, switch up the ending—do what feels right to you. Some examples of published works embracing this idea are Salman Rushdie’s novel The Ground Beneath Her Feet, which was based on the Greek myth of Orpheus and Eurydice, and Carol Ann Duffy’s book of poetry The World’s Wife, which has many excellent examples of such retellings.